Ebook The World's Greatest Classical Music: Debussy Piano Music: Noten für Klavier (World's Great Classical Music)

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The World's Greatest Classical Music: Debussy Piano Music: Noten für Klavier (World's Great Classical Music)

Ebook The World's Greatest Classical Music: Debussy Piano Music: Noten für Klavier (World's Great Classical Music)

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Produktinformation

Taschenbuch: 224 Seiten

Verlag: Hal Leonard Europe (15. April 2010)

Sprache: Englisch

ISBN-10: 1423481208

ISBN-13: 978-1423481201

Größe und/oder Gewicht:

22,9 x 1,5 x 30,5 cm

Durchschnittliche Kundenbewertung:

Schreiben Sie die erste Bewertung

Amazon Bestseller-Rang:

Nr. 642.547 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

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Gratis Bücher No Exit, by Jean-Paul Sartre

Gratis Bücher No Exit, by Jean-Paul Sartre

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No Exit, by Jean-Paul Sartre

Gratis Bücher No Exit, by Jean-Paul Sartre

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Produktinformation

Taschenbuch: 60 Seiten

Verlag: SAMUEL FRENCH TRADE (1. Dezember 2010)

Sprache: Englisch

ISBN-10: 0573613052

ISBN-13: 978-0573613050

Größe und/oder Gewicht:

12,7 x 0,3 x 20,3 cm

Durchschnittliche Kundenbewertung:

4.5 von 5 Sternen

6 Kundenrezensionen

Amazon Bestseller-Rang:

Nr. 35.832 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

No Exit (Huis Clos), is a one-act, four-character play written by Jean-Paul Sartre, French philosopher, writer, literary critic, social and political activist and leader (with Albert Camus) of the existential movement based in Paris.No Exit, first produced one month before D-Day in 1944, was the second of Sartre's many plays. Translated literally, Huis Clos, means "closed doors."This play represents a tight conflict of characters who need one another and, at the same time, desperately want to get away from one another, yet cannot leave. There is no other modern play that offers such a profound metaphor for the human condition. One would have to go back to Doctor Faustus or The Bacchae to encounter such a metaphor, and in the present day, only Kesey's One Flew Over the Cuckoo's Nest can rival No Exit in its existential metaphor of the human condition.In No Exit, three characters are doomed to spend eternity together in a Second Empire drawing room; Sartre's metaphorical hell. This room is devoid of mirrors, windows and books. There is no means of extinguishing the lights and the characters have even lost their eyelids. They have nothing left but one another and the hell (or heaven) they choose to create.The three characters who come to inhabit the room are Joseph Garcin, a war defector and wife abuser; Inez Serrano, a working-class Spanish woman, who is slowly revealed to be a lesbian; and Estelle Rigault, a member of the French upper class. Sartre brilliantly gives the characters dual reasons for their eternal damnation: first, each committed abominable acts while alive, and second, and perhaps more importantly, each failed to live his or her life in an authentic manner.As each character is brought into the room by the valet, each begins to develop an entangled, triangular relationship with the other two. All three slowly come to the realization that each is the others' eternal torturer. Each character wants something from another that the other cannot, or will not, surrender. Thus, all three are doomed to a perpetual stalemate of torture.Sartre's philosophical tenets in Being and Nothingness (L'Etre et le Néant), are beautifully interwoven into the fabric of No Exit. Through dialogue and action, Sartre transforms his philosophical assertions into dialectic form, pitting Inez against both Garcin and Estelle in an eternal battle of ideologies. The characters come to embody Sartre's tenets, and as they interact, the author's ideas come to life. The tenuous balance the characters face between needing the others to define themselves, and the desire to preserve their own freedom is developed throughout the play, but is never resolved.No Exit would have been far less meaningful, metaphorically, if the one locked door had not swung open at the end of the play, showing us that the continuation of any state of existence is as much a matter of choice as it is anything else.The biggest question No Exit seems to leave unanswered is whether the misery we cause one another is meant to be or if it is simply chance and the decisions we make that cause that misery. Furthermore, is there anything we can do about it, or is our nature so constructed so that we have no choice in the matter?The character of Inez realizes the only positive message in the play when she says, "One always dies too soon--or too late. And yet one's whole life is complete at that moment, with a line drawn neatly under it, ready for the summing up. You are--your life, and nothing else." Inez realizes that we have, in each moment, everything we need to be happy, yet we insist on searching for the things that make us miserable.With the production of No Exit, Sartre made his paradoxical existentialist philosophy accessible to a much larger audience. More than a "thesis" play, No Exit is both engaging and valuable as a piece of dramatic literature in its own right.As testament to its lasting message is the fact that it is still produced internationally today. No Exit is an extraordinary play, filled with complexities and philosophical premises that are as relevant today as they were when Sartre first illuminated them.

These four plays by Sartre are all very different in style if not tone, but they all cut to the bone of meaning in delivering their sobering messages. The best play is also the most famous, No Exit, filled with brilliant language and dramatic fire. The situations and questions posed within aspeak directly to our age. Next, The Respectful Prostitute, which shows how funny existentialists can be, and how gut-wrenching comedy can be both funny and chilling. The Flies is a wonderfully inventive play that one can picture just by reading, with its harsh words, though in the guise of classical language, never missing a stab at the characters--or the audience. The weakest play, Dirty Hands, is still a compelling but rather cliched drama which is a little too ponderous for theatre, but dead on with its analysis of the human condition. Overall, a very worthwhile collection and a great introduction to Sartre, and existentialism.

No Exit is the play where Sartre portrays his version of hell. From my perspective, his vision is significantly more acute than Dante's. It is tightly written. Fast moving. Eye opening. When I was reading the play, I frequently had to put the book down and think for a while about what I had just read. I had never read anything quite like it. This book deserves a wide audience. It is more fun than you might think. Even if, like me, you aren't into reading books like being and nothingness, you might like this. This book is wild.

Sartre's only shortcoming here is that he made too great an effort to push existentialism to a wide array of theatre-goers. Had he chosen to avoid labeling his heated room "Hell" his message would probably have been missed by many of the upper class image-seekers. (Perhaps the crowd he was most interested in targeting.) For art's sake, however, those of us who care could have been a bit more tickled to figure it out for ourselves. Overall, smartly written and I'll pick him up again.

I think most people miss the point of No Exit. It's not that it would be unpleasant to be stuck in a room with a couple of obnoxious people, it's that we make our own hell by seeing other people only in terms of our own desires.But my favorite is The Flies, a hilarious sendup of Oedipus at Colonus filtered through Nietzsche. This play is more relevant than ever, now that so many are parading their miseries on television. Only now, rather than reveling in guilt, they find the meaning of their lives in how greatly they were wronged.

This collection of plays is very good, and not just for the title piece. "No Exit," of course, is a famous work no one interested in existentialism is unfamiliar with. It is thought-provoking and interesting. "The Flies" communicates many of Sartre's ideas very well, particularly in the dialogue between Orestes and Zeus. The other two plays are also interesting and very effective.

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Ebook-Download , by Ennki Hakari

Ebook-Download , by Ennki Hakari

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, by Ennki Hakari

Ebook-Download , by Ennki Hakari

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Produktinformation

Format: Kindle Ausgabe

Dateigröße: 354044 KB

Seitenzahl der Print-Ausgabe: 166 Seiten

Verlag: Seven Seas; Auflage: Translation (9. Juli 2019)

Verkauf durch: Amazon Media EU S.Ã r.l.

Sprache: Englisch

ASIN: B07QZZTSDN

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Durchschnittliche Kundenbewertung:

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Amazon Bestseller-Rang:

#73.576 Bezahlt in Kindle-Shop (Siehe Top 100 Bezahlt in Kindle-Shop)

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PDF-Download Mona Lisa: A Life Discovered, by Dianne Hales

PDF-Download Mona Lisa: A Life Discovered, by Dianne Hales

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Mona Lisa: A Life Discovered, by Dianne Hales

PDF-Download Mona Lisa: A Life Discovered, by Dianne Hales

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Pressestimmen

"I’m enthralled by every page of Dianne Hales’s Mona Lisa. The mysteries of the painting remain, but through Hales’s portraits of the people and her skilled rendering of customs, politics, and daily habits of the time, you come to know the painting in profound new ways. The great pleasure of her prose brings Lisa Gheradini’s world to vivid life. Anyone who loves art and Italy—and who doesn’t—will adore this book. (Frances Mayes, author of Under the Tuscan Sun and Under Magnolia)"This is cultural history that reads like a detective novel as Dianne Hales tracks down the real woman behind one of the world’s most famous and enigmatic faces. Expertly sleuthing her way through the treasure troves of archives and palazzos, she offers her own fascinating portrait not just of Lisa Gherardini but also of the vibrant Renaissance world that nurtured both Lisa and Leonardo’s painting." (Ross King, author of Brunelleschi's Dome and Leonardo and The Last Supper)"Biography, history, and memoir are woven together in Hales' lyrical biography of Lisa Gherardini...her quest endows human subjectivity to one of art history's greatest icons." (Booklist)"Engaging...a rich tapestry of family life, mercantile society, politics, and artistic development...enthralling." (BookPage)"Veteran journalist Dianne Hales shares with us the tumultuous lives of both Gherardini and the artist who immortalized her, and brings us along on the travels of a work of art for which love and esteem have increased markedly over the centuries." (New York Post)“A readable and affectionate my-search-for-story for art lovers and anyone interested in glorious and gory Florence in the 15th- to 16th centuries, and in the divine Leonardo in particular…Hales' assiduous research has made it possible for us to know Mona Lisa just a bit, enough to wonder if this otherwise ordinary Florentine housewife could ever have imagined her portrait enchanting millions for centuries.” (USAToday.com)“Now, thanks to meticulous research, Hales’ biography-memoir-history lesson brings to life Lisa Gherardini (1479-1542), the unforgettable face behind Leonardo da Vinci’s Mona Lisa.” (Fort Worth Star-Telegram)"Combining history, whimsical biography, personal travelogue, and love letter to Italy...an accessible, vivid examination of women's lives in Florence of the period....Entertaining." (Publishers Weekly)"It's a joy to follow Dianne Hales' fascinating exploration into what's behind the world's most famous smile—an enchanting mix of fascinating history and passion-filled memoir." (Susan Van Allen, author of 100 Places in Italy Every Woman Should Go)

Über den Autor und weitere Mitwirkende

Dianne Hales is a prize-winning, widely published journalist and author. The President of Italy awarded her an honorary knighthood in recognition of her bestselling book, La Bella Lingua. Her other works include Just Like a Woman; Caring for the Mind; and the leading  college health textbook, An Invitation to Health. She has served as a contributing editor for Parade, Ladies Home Journal, Working Mother, and American Health and has written for many national publications, including Family Circle, Good Housekeeping, The New York Times, and Woman’s Day. She lives with her family in the San Francisco Bay area.

Produktinformation

Taschenbuch: 336 Seiten

Verlag: Simon & Schuster; Auflage: Reprint (18. August 2015)

Sprache: Englisch

ISBN-10: 1451658974

ISBN-13: 978-1451658972

Größe und/oder Gewicht:

14 x 2 x 21,3 cm

Durchschnittliche Kundenbewertung:

Schreiben Sie die erste Bewertung

Amazon Bestseller-Rang:

Nr. 1.650.915 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

I got this book to assist my 10 year old daughter on a "Faces of History" project she did through our homeschool community (Classical Conversations).It was above her reading level and with some adult content (some just complicated stuff and some regarding sexual relationships of the time -mild content, just not stuff for 10 year olds). So I read sections that pertained to her report and through others to help find more information.My daughter wrote on the main theme that there must have been something special about Lisa Gherardini del Giocondo if:•her father would sell off some of his family pride (land) when they had so little left to their claim of nobiity/landed gentry to secure her marriage;•if her husband married her with no dowry and just a small plot of land worth much less than a proper dowry;•if Leonardo chose to paint her portrait while turning down the commissions of royalty•If Leonardo's portrait of her has captivated people so greatly and for so longThe books is fascinating and I loved the ins and outs of the adventure Dianne Hales takes us on as we discover intimate details of Lisa's life and her time and place in history. It's what some would call "a living book" -such a refreshing break from the boring and dull accounts found in textbooks and most other reference books we could find.I did not read it straight through, but plan to (soon). What I did read, through (at least half of it) was fantastic.If you want information about the most likely woman of the famous portrait, want a great look at life in Florence in the mid 1500s to mid 1600s, or looking for just a good history and travel based read -get this book!

As a former New Yorker and an old Italy hand--I am a professional translator Italian>English, have lived in Italy for decades, and am a novelist myself (Kindle, Verdi's Dream), I can be quite harsh judging novels set in Italy, books about Italy from an often naive or starry-eyed foreigner's point of view, and books on Italian history (particularly on the Italian Renaissance,my favorite period). This book, which I came to quite serendipitously through a FB reference, just blew me away, however. It brings the glorious Italian Renaissance to life, from the personalities to the dress codes to the aromas and sometimes the stench of the vias and vicolos, to the unfathomable genius of Leonardo. Of course it is quite a task simply to get the research about Florence and its golden age right--which the author has done. I felt as though I were with her at every discovery, in every archive, in every courtyard of that incredible city. Some may think there is too much Italian in the book--but I love it, because instead of trying (and of course it would mean failure) to explain certain Italian terms, the author leaves them in context and we must fend for ourselves in context. This is as it should be, I think. All of this means that I come away from each reading (and I haven't finished the book yet and don't want to--then I will have to close this particular door on the Renaissance) knowing the Mona Lisa no better than before, but understanding better where she came from, what her life must have been, and the regard in which her genius portraitist held her. This is a completely lovely book, unpretentious and so knowledgable. The author is as spellbinding and capable a storyteller as she is an historian.

Dianne Hales brings Mona Lisa to life in a new study of her life and times.This book is a triumph of research that should put to rest many of theabsurd theories of her life and the motivation of Da Vinci in paintingher. The reader may well experience both tears and smiles in finallygetting to know something concrete about one of the mostrecognizable icons in human history. Brava Dianne!Salvatore Prisco, Ph.D.Prof. of History,Stevens Institute of Technology

Very disjointed story with too many side stories. Tiresome habit of aythor to write an Italian phrase and then translate it in parentheses. It is obvious she is enamored of the Italian history and language, but doesn't make for a good read. Mostly smoke and mirrors, not substance.

I was surprised to find this book so enjoyable. I picked it up on bookbub.com for a dollar, not expecting much, but found that I enjoyed the author's exploration of the lives of women in 15th-century Florence, and her way of relating that information to the life of Lisa Gherardini, the model for one of the world's most famous paintings: "Mona Lisa," by Leonardo da Vinci.This is definitely not a book for scholars of Renaissance history or of Italian Renaissance art, who tend to turn up their noses as this kind of writing, dismissing it as nothing new and mere speculation. But for other readers, not experts in those fields, the book provides a great deal of interesting information. Yes, there are a lot of "might have's" and could have's" throughout, but the author makes no claims to uncovering sensational new material. Instead, she makes good use of what scholars have brought to light about women in Florence during (and before) the period when Lisa Gherardini was alive, and relating that to Lisa's life. She demonstrates effectively how Lisa "might have/could have" lived.Readers who wouldn't necessarily pick up a book on Renaissance history or a scholarly biography of Leonardo will learn a lot about both the period and the painting. The book isn't great literature or brilliant scholarship, but it's not intended as either. It's an entertaining and enlightening look at a fascinating era, through the lens of a particular woman's life.

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Mona Lisa: A Life Discovered, by Dianne Hales PDF

Mona Lisa: A Life Discovered, by Dianne Hales PDF

Mona Lisa: A Life Discovered, by Dianne Hales PDF

Mona Lisa: A Life Discovered, by Dianne Hales PDF

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